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A classic poem takes a new (musical) flight


A dear friend of mine, who shall remain in anonymity, once showed me e.e. cummings’ i carry your heart with me (i carry it in my heart). As clichéd as it sounds, I loved it. In the course of this past semester, I enrolled in a composition class. In this class put my big boy pants, and I set this poem to music. It was an uphill battle (choosing the singers, rehearsal time) in short, a battle. I won the battle and the war! Here is the finished product, while not perfect, it is pretty darn close. I hope this a start of a new, complementary chapter in my life.

If you want to commission me for a choral piece, do not hesitate in doing so! Without further ado, i carry your heart with me (i carry it my heart).

Text:

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
                                                      i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart
i carry your heart(i carry it in my heart)
Singers:

Sopranos:

Alison Huntley
Lydia Lewis
Mariah Chapdelaine
Elizabeth Peregrine

Altos:

Carolee Stark
Abiagil Landau
Jessica Moore
Jazmine Hamilton

Tenors:

Tyler Hast
Thomas Heise
Arturo Martinez
Eric Mohlis

Basses:

Johnnie Campbell
Ethan Q. Ivey
Jordan DePatis
Jack Dessent

José Clavell, conductor

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Polar winds v. Tropic thunder


And so my winter break is coming to an end. Next Monday I start my second semester of graduate studies, where I shall immerse myself anew in music, music, and music (and the midwest weather). Between a musicology course in twentieth-century music to twentieth -century musical analysis, choral conducting, graduate musical composition, and ensembles. This semester will be challenging, but rewarding, I’m sure. Let’s see what this semester brings. Up until now I will be a part of the IMEA in Illinois, and there might be a slight (very slight) possibility that I can get enough funds to go to the ACDA convention this year. If I get the chance, it would be amazing. It’s still somewhat incredible and humbling coming back to the island and meet again my professors and peers. The pressure is still on when the hint, again, that I am the “new guinea pig” because before me nobody has done a Masters in Music, specially Choral Conducting. I just have to work harder this semester. As we say in the Choral Department (thanks to me) “If you try hard enough and believe in yourself…”

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